Saturday, 27 July 2013
Friday, 26 July 2013
Friday, 5 July 2013
A particularly nice touch is the interweaving of flashbacks to the back story of Pitt’s ‘Billy Beane’ through the events of the first act. Brad evokes strong memories of Robert Redford in ‘The Natural’, not just in his physical appearance (increasingly craggy) but in his unhurried delivery and deceptively casual style.
The best elements of 'Moneyball' are the conflicts, especially the head butting between Brad Pitt and the Oakland A’s staff (notably Philip Seymour Hoffman), which is crackling – but without the histrionics of say ‘Any Given Sunday’ (although that has its place). Notably, Jonah Hill puts in a nicely judged performance, good to see him in a serious roll, fitting comfortably in the room with Pitt and Hoffman.
At the bottom of the ninth, 'Moneyball' is everything that 'Jerry Maguire' is not. The characters are engaging and the dead pan humour is glorious. Highly recommended.